等待微風入眠

這就是紐約 Here Is New York

字體:16+-

[美國]埃爾文·布魯克斯·懷特/Elwyn Brooks White

埃爾文·布魯克斯·懷特(1899-1985),美國著名散文家、評論家。生於紐約,畢業於康奈爾大學。曾任《紐約人》雜誌的編輯和《哈帕斯》的專欄作家,在《紐約人》供職長達12年之久,他對《紐約人》的成功有著不可替代的貢獻。同時,懷特在兒童讀物的創作上也頗有建樹,其代表作有《這就是紐約》。懷特的思想敏感獨特,對生活的觀察細致入微,文風樸實無華,尤其是一些遊記性的文章,被廣泛轉載於大量課本與選本之中。其主要作品有散文集《拐角處的第二棵樹》、詩集《冷漠的女士》等。

On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy. It is this largess that accounts for the presence within the city's walls of a considerable section of the population;for the residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.

New York is the concentrate of art and commerce and sport and religion and entertainment and finance, bringing to a single compact arena the gladiator, the evangelist, the promoter, the actor, the trader, and the merchant. It carries on its lapel the unexpungeable odor of the long past, so that no matter where you sit in New York you feel the vibrations of great times and tall deeds, of queer people and events and undertakings.

I am sitting at the moment in a stifling hotel room in 90-degree heat, halfway down an air shaft, in midtown. No air moves in or out of the room, yet I am curiously affected by emanations from the immediate surroundings. I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four mile from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford Whites, five blocks form where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the Elder was Washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.